![]() There is a definite choral style throughout the record, from the bigger (“Apples”) to the slower (the following “Sedna”),higher (subsequent “Told To Be Fine”) to haunting (“The Ghost”). The beats sound as if from hollow containers, while woodwinds predominate – even into the vocals of singer Casper Clausen ( QRO interview). And for their new Piramida, the group has embraced that nature even more, especially with regards to hollow beats and hollow sounds.Īfter the departure of drummer Thomas Kirirath Husmer, it’s no surprise that Efterklang go for an airier sound on Piramida. ![]() They’ve performed with a full orchestra in their hometown ( QRO live review), and this year played New York City’s Museum of Modern Art ( QRO photos). While most Scandinavian musicians on the more experimental side of things tend towards the reduced and electronic, Copenhagen’s Efterklang have always gone towards the bigger and orchestral, if still in the haunting vein.
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